28 February 2010

skits and scenes

Posted by admin @ 9:01 am    categories: teaching

the bad waitress

So one of the exercises that I generally enjoyed as a student, and that I think actually was good for learning about language use, was the sort of exercise wherein you’ve got to write a skit. A scene.

So last week (two weeks ago? yeah.) I had some of my students write a skit that I called “The Bad Waiter.” In one group, two boys wrote a ridiculous scene in which a waiter was really rude (the grammar was awful); in another the three kids didn’t quite get the assignment, or maybe were just lazy, and wrote a terribly short skit where the waitress simply mixed up two people’s orders. But my best group was, well, the two ten-year-old girls I tutor on Monday evenings, who are in a bilingual school and speak pretty good English. Unsurprising, I know. Their skit is also the only one I collected on paper. Here it is; I’ve corrected nothing beyond what I corrected in class:

The Bad Waitress

Helena: Bad morning! What are you going to eat today?!
Carmen: Well, let me think…
Helena: Quickly!
Carmen: I want fish with potatoes.
Helena: What are you thinking?! We haven’t got this strange food.
Carmen: What?! That is the most normal food!
Helena: Yes! But I don’t want to give it to you.
Carmen: Why?!
Helena: Because you haven’t got money. Look at your clothes.
Carmen: OK, I want a pizza.
Helena: No, I don’t want to give that to you, either.
Carmen: OK, what have you got in this restaurant?!
Helena: Nothing for you, but for other people all of this. Bye bye!!
Carmen: OK, I don’t want to come back again to this restaurant!!
Helena: OK. The money, ten euros. For the service.
Carmen: Aaarghh!!

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25 February 2010

art and awesome

Posted by admin @ 9:45 am    categories: artthe internet

Sophie Blackall's missed connection blog: throat tattoo

Okay so I may have mentioned before this artist I really like these days, Sophie Blackall, an Australian who’s now based in New York City. Her blog first caught my eye; it’s been covered by the New York Times, and is really just pretty awesome — this is the link you should click on in this post, if you click anywhere. In it, she takes Missed Connections ads from the NY craigslist and NY locals, and illustrates them. They’re almost always amazing, although to be honest her most most recent one wasn’t my favourite. (The above image is hers.) She also sells prints of her work.

But her not-in-that-project illustrations are great, too; I like her style quite a lot, and just find myself pleased with her work in general. There’s a pretty short list of current artists who I (a) know about and (b) really like, and she’s definitely on it. I’m not sure who else is on there, these days. Anthony Goicolea, for sure. Hmmm. There are more, if I could only think of names. Still, I wish I knew more about the current art world. Rachel, oh my sister, educate me.

Anyway, what this may make you think of, if you ever saw it, is Patrick Moberg’s missed connection sensation, NY Girl of My Dreams.com, where he very carefully described some girl he met, and wanted to see again. Which worked. The story as I understand it is that they did meet, and actually dated for a time, but things didn’t work out. (Google corroborates this.) I also really like Moberg’s work. A lot of the artists I like fall between art and cartoon (see, for example, my friend Blake Suárez‘s work), which is perhaps an unnecessary distinction.

For example, I think of the following as comics — and maybe they are. But I’d say the art’s great, too:

There’s a list at the left of comics that I read. These are all on it.

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24 February 2010

a movie.

Posted by admin @ 15:31 pm    categories: Uncategorized

I finished watching This is England (dir. Shane Meadows, 2006) today, after having started it when Joe was here. I rather liked it; I think it was a pretty good view of things. I think I got the idea to see it from Casey — thanks, Casey! It’s about a young boy who gets involved with a group of skinheads in 1980s England (in a small-ish town). Originally, it’s a supportive (if rebelious) group, but they’re [re]joined by a guy named Combo, an older skinhead with nationalist (see: neo-Nazi) ideas. (He’s played by the same guy who plays Tommy in Snatch, Stephen Graham. Which is weird. But he does a fantastic job, and the character is fascinating.) And the group splits, and the young boy ends up becoming involved in things that are upsetting (for him, for us). Anyway, a good movie.

I had some nightmares last night. Quite unpleasant. I need to do some exercise, no.

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23 February 2010

two quick

Posted by admin @ 15:08 pm    categories: Uncategorized

1. I really enjoyed this poem (“Oral Culture”) from Slate magazine. As I’ve mentioned before, I think they tend to publish good poetry.

2. I didn’t want to make dinner tonight, but wasn’t willing to do another tomato-sauce pasta, so I did anyway. And oh yes, delicious. (Onion,) Eggplant, Italian red pepper, and mushrooms with a coconut milk curry sauce, on Israeli cous cous. So many of my favourite things.

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21 February 2010

nabokov

Posted by admin @ 10:54 am    categories: writing

This story makes me want to read more Nabokov.

It’s called “Signs and Symbols,” or “Symbols and Signs,” and I heard about it from this amazing podcast the New Yorker puts out, wherein the fiction editor discusses a short story published some time ago with another writer, who reads it. This one was picked by Mary Gaitskill, herself a talented writer, who has this amazing reading voice. And hearing them discuss it was really cool, as was just hearing the simplicity of language.

Not everything on the podcast has been good — I really disliked Junot Diaz’s way of reading — but almost everything.

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movies

Posted by admin @ 10:48 am    categories: artwriting

I went and saw Inland Empire (dir. David Lynch, 2006) last night, with three friends, who ended up hating me for making them see it. I’m kidding, but also not; they were really unimpressed with the film. I knew what I was getting myself into perhaps slightly more than them, so although I too felt that the film was too long (it’s three hours), I nonetheless was intrigued.

Here’s a quote to give you a feeling of how weird Lynch can be, taken from the wiki page to give it context:

In an NPR “Weekend Edition” interview, Laura Dern recounted a conversation she had with one of the movie’s new producers. He asked if Lynch was joking when he requested a one-legged woman, a monkey and a lumberjack by 3:15. “Yeah, you’re on a David Lynch movie, dude,” Dern replied. “Sit back and enjoy the ride.” Dern reported that by 4 p.m. they were shooting with the requested individuals.

Now here’s the thing about this film: it doesn’t have a plot, but that doesn’t mean it’s not about anything. In some sense, it’s about this woman’s inner life; I definitely see connections between this and Mulholland Drive, although I liked that film a lot more. But I doubt even Lynch would say that the film makes complete sense. It is an art film, as much as it is a film about Hollywood, or a film about violation and the hole to oneself. I don’t know. I guess I’m curious about it because of the mystery, because I want to make sense of it. And that’s not so easy to do.

The part I liked best at first thought is the part from roughly 15 minutes in ’till maybe the end of the first hour, where the lead actress (Laura Dern, playing an actress named Nikki) is cast in a film called On High in Blue Tomorrows and we see her life beginning to blur with her character’s life. I thought this part was really cool.

When Joe was visiting (Joe visited!), we tried watching Synecdoche, NY (dir. Charlie Kaufman, 2008), which we didn’t get all the way through. It just seemed too weird, too unrelated. I wonder if I would’ve sat through Inland Empire in the same circumstances — probably not. But I nonetheless sort of feel like I liked it more than Synecdoche; I felt like Kaufman was just pushing a bit too hard, and Lynch somehow has his crazy ideas linked in a way I prefer. Synecdoche is also about the links between theater and real life, but more heavy-handed about it somehow. And maybe I disliked it because unlike Inland Empire, the characters did feel real and then they disappeared, while Dern’s character always felt like a caricature, a stick figure.

I also have in recent days watched:
Matilda (dir. Danny DeVito, 1996)
Joe had never seen this, so we watched it. On youtube. Still good every time.

On the plane, coming back and forth from the US, I had some shitty-as-hell movie options. As such, I watched:
* Dragonball Evolution (dir. James Wong, 2009). Honestly wasn’t that bad. It was silly and ridiculous, but it was kind of fun.
* Eragon (dir. Stefen Fangmeier, 2006). I read the book and thought it kind of fun but also hilariously bad. The movie more or less had me feeling the same way.
* Whip It (dir. Drew Barrymore, 2009). I kind of liked this film. They played it on my flight from LA to Chicago, I think, for everyone to watch. It was embarrassing but also kind of cute, and I do like Ellen Page. I know. Still. It was fun, and kind of silly. I like Drew Barrymore. Shrug.

Here in Madrid, with some friends, I went and saw Up in the Air (dir. Jason Reitman, 2009), which was actually a lot better than I thought it would be. Amusingly, two of my friends thought we were going to see Up, which was amazing but was not by any means the same film. This one stars George Clooney as a business man who is constantly traveling, firing people for companies. It’s surprisingly touching, and quite interesting; I really rather liked it. I don’t think it should win a Best Picture award, but I did enjoy it.

Anyway, quite a few movies in the past while, considering how rarely I’d watched films in the months before. Good fun.

Joe’s visit was really nice, too; we hung out around here, made awesome Alfajores, and I got to show him around Madrid, and take him to El Escorial. Overall, a good time.

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oh man

Posted by admin @ 10:11 am    categories: Uncategorized

So in January I bought a ticket to this music festival in Barcelona, and the line-up just keeps getting better. Here were some of the bands I was originally looking forward to:

The XX, Wilco, Panda Bear, Fuck Buttons, Dr. Dog, The Antlers. Pavement, The Pixies. Yeasayer.

Now there’s also:

Beach House, Broken Social Scene, CocoRosie, Diplo, Florence + The Machine, Grizzly Bear, Major Lazer, Matt & Kim, Final Fantasy, The Books, The Field, Titus Andronicus.

Now, some of these groups I want to see more than others. And some I’d see more because they’d be fun live than because I love their music. (Major Lazer, for example.) And let’s not forget about the bands that people (Ali) tell me I should see, but that I don’t know yet. But wow, awesome.

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16 February 2010

some NPR: on justice; on autism

Posted by admin @ 16:50 pm    categories: Psychologywriting

1. Bail and the All Things Considered story about it.

There was a three-part All Things Considered piece the 21st and 22nd of January about bail [bonds] and their impact on poor Americans. You can check it out here on NPR’s website (second part; third part). I thought the pieces, by Laura Sullivan, were really good, although I’ll certainly acknowledge that I think she’s a bit biased towards the same direction as I am.

My junior year of college I was lucky enough to get to take a class with Barb Toews, who does restorative justice in Pennsylvania. The class was part of the Inside-Out program, wherein students in college take a class inside of a jail or prison, alongside currently-incarcerated men or women. I very much felt like this class gave me a viewpoint that would have been severely lacking in a class based on a college campus. It was experiential as much as it was academic; although we did quite a bit of reading and had some pretty good discussions, much of our work was anecdotal, as it must be. Still, I came to be pretty severely convinced that our prison system in the US is [still] part of the problem facing society, rather than something that helps. Even before taking this class, it seemed pretty clear that building more prisons is not and never has been the solution.

NPR seems to have a focus (lately?) on demonstrating some of the problems with current law and with the current prison system. A while back, they did a great series on California’s Three Strikes law (by Ina Jaffe). I remember hearing a fairly recent piece about sex offenders, focusing on Florida’s crazy laws. And now this.

These pieces are moving and, to be honest, make my skin crawl. One of the things my class with Barb discussed was programs intended to keep people out of jail — pretrial release programs. Our class focused on restorative justice — it’s pretty self-explanatory in basic idea. (See here.) I’ll grant that it’s ridiculously optimistic as a philosophy, but I think there are pretty clear results in its favor, and it’s not as though a punative justic system seems to demonstrate great results. (Oh no, not at all.) In any case, the NPR pieces are about how bail doesn’t seem to be helping anyone except for bail bondsmen, and how in fact they seem to be severely hurting (poor) defendants and the government itself.

Bail is intended to insure that a defendant, released pre-trial, returns to court to stand trial. If you can’t pay it, you sit in jail until you plea or until you get a trial — which may take months or more than a year. Many of the guys in my class were in this position. You generally only get a bail if your crime is nonviolent. If you can’t pay it, you can instead pay a few to a bail bondsman, who then puts up your bail for you. You don’t get the fee back. The way the system is supposed to work is this: if you then don’t show up to court, the bail bondsman pays your bail to the court, and uses bounty hunters (legal ones) to get you back. But as the NPR story explains, that doesn’t even happen. As in, the bail bondsman makes money from you, but the court loses money. And then police officers end up getting you back themselves. In any case, I’m perhaps focusing on a small part of this — the important point really is that many people can’t afford the $500 needed to pay a bail bondsman. And as such, they languish in jail, which hurts their chances of fighting their case, overcrowds jails, and makes it more likely for them to give in to prosecutors.

Short version: listen to the NPR story.

2. Super cool: Phineas Gage daguerrotype found.

3. Autism on On the Media and Fresh Air.

On the 5th, NPR’s fantastic On the Media had a rather mediocre piece on autism, focusing on the medical journal The Lancet, which formally retracted Andrew Wakefield’s disastrous paper this month. The paper was published in 1998, and is the one that made the bogus claim that vaccinations might be causing autism by using bad science. Immunologists like Paul Offit have worked hard to dispel this idea, but people persist in believing it. What frustrated me about NPR’s story was that they really didn’t do a good job of explaining just why it was retracted, and why even before it was retracted it had still been repeatedly demonstrated to be bullshit.

I really think that was a bad choice.

I got to see Offit speak at Bryn Mawr in April last year, and he was really a good speaker (he works in Philadelphia). My favorite part of his talk was an anecdote he told about his wife’s pediatric practice. As I remember it, he explained that his wife was seeing a young girl, who was supposed to be getting vaccinations that day. In the waiting room, the girl had an epileptic seizure, the first of what were apparently to be many. But imagine that the seizure had waited a day, or an hour. And imagine trying to explain to that girl’s mother that the vaccination had nothing to do with it. Think you’d get very far? Just because they might’ve been linked, however, would by no means reflect on causation. Post hoc ergo propter hoc.

In any case, much more impressive were the three Terry Gross interviews of Temple Grandin on February 5′s Fresh Air. I felt like Gross asked some interesting questions; I also just find Grandin to be a really interesting woman. I no longer remember where I first heard about her, but she’s a professor of animal science who has high-functioning autism, and is also an activist in autism treatment and awareness. I recommend listening to the piece (they also have a glowing review of the HBO movie about her, starring Claire Danes — I am curious indeed), or at least reading up on her — Oliver Sacks’ article about her in An Anthropologist on Mars is a great place to start.

And with that, I’ll leave you. Some more personal updates soon.

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11 February 2010

ChatRoulette

Posted by admin @ 11:05 am    categories: tech/web

I read an article about a website called ChatRoulette, which I found quite interesting. I clicked through to the website before reading the article, and I’ve got to say — it seems like there’s something that the author of the article is missing. He just doesn’t seem to get the pseudo-anonymity of it as it works for teenagers today. He’s maybe not as immersed as he’d need to be? But at the same time I like his article, and I find thinking about this website more interesting than the website itself.

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