22 June 2010

what a withering end

Posted by admin @ 13:26 pm    categories: Uncategorizedmental states

I’m kidding, mostly, in the title. But it’s a shame to be sick and feel weak on the day before the last day of school; it’s a shame not to get to see my friends here in Madrid before we leave. I spent the morning in bed, and I’ve spent the afternoon thus far trying to figure out what would make me feel better. The only bright spot is that when I’m sick I get to make myself mint-lemon-ginger sweet tea, which is possibly the best of all infusions. (In a tea strainer, add 2 teaspoons of dried mint, some gratings or slices of ginger, and 2 teaspoons of sugar. Add the juice of half a lemon (or a full lemon), and pour almost-boiling water over the mixture. Steep for at least five minutes. Adjust sugar if you want it sweeter.)(I’m not a big honey fan, for whatever reason, but this would be fine with honey or agave nectar instead of sugar.)

I got my stitches out of my lip today, which is good. I’m looking forward to my lip healing entirely.

You know, I rarely post on here like I used to — like I used to five years ago, I mean. This sort of thing — each paragraph treating a different topic, loosely connected perhaps but perhaps not at all. Also there were entries that were numbered because they were so completely unrelated. Sometimes I like looking back and reading something I wrote, say, five years ago. Things have changed a lot; they also have changed very little. (It should be noted that these old posts aren’t here on this website.)

I’ve been following the World Cup, which means that for the first time since the last World Cup (when I rooted for France), I’m watching entire association football matches. It’s fun; it also means that I’ve had more conversations with my roommates than ever, since we can talk about sports for once. It’s kind of fun, although I still don’t know most of the players. I’m rooting for the US, and for Spain. If it comes to it, I’ll transfer allegiances to Argentina, or perhaps Brazil. But we’ll see what happens. I’m watching Argentina play Greece right now.

Now to break some rules, and follow some others;

Sometimes he receives notes from the past,
short in their wording and direct in their import;
they break out of the seas like bubbles
and hold him to a forgotten wall.
When they come to him,
they are like fireflies below a waning moon
and he closes his eyes before them
in a movement of shame.
The words are always written in a heavy hand,
script more indentation than outline,
the black ink sometimes faded.
They are always unavoidable.
When he dines with his girlfriend
or transfers lines in the depths of the subway,
he has been known to see reflections,
or embossed words
in the wrinkles on her face,
in the plastic boxes that house advertisements.
Once, in frustration, she called him late at night
and asked him to explain his distractions.
“I can’t,” he said into the receiver,
“and I don’t know if I want to.”
The present is not inescapable
any more than the past is incapable of forgetting;
his dreams will not leave him alone,
because he has not yet given them up.

I think this is a good example of why I haven’t written a poem in quite some time. But that doesn’t [necessarily] mean that it’s bad.

I made Madeleine’s pumpkin pasta last night, and am eating its leftovers with some bacon to give it a different flavor. I made the dish in the first place because I found a can of pumpkin I bought last November, and then forgot about; it’s a great recipe.

When I first started living here, in October, I disliked cooking for just myself, since I was so used to always cooking for three or four. But I’m not averse to leftovers, so I’ve been enjoying the idea of cooking for myself one night and eating it for three or four. As I’ve mentioned before, I try generally to spruce up leftovers — it’s a lot more fun to eat the same thing when it’s not quite the same thing. Roasted chicken turns into roasted chicken tacos. Spicy peanut sauce and pasta turns into pasta with pan-seared chicken and a creamy spicy peanut sauce. Pumpkin pasta becomes pumpkin-bacon pasta. The other day, I made a vegetable dal, with a gigantic cauliflower and some pepper and other veggies. Without meaning to, I made a huge amount, and literally ate it for five meals (lunches included); it was good since I couldn’t chew as well as normal. By the last day, I was tired of it, though; I turned it into more of a soup than it usually is by adding water and small pasta, and a bouillon cube. The flavor transformed — it was the same, but varied.

I’m going to miss living in Spain. But I don’t think I’ll miss it that much, somehow.

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17 June 2010

an odd thought

Posted by admin @ 11:55 am    categories: mental states

This has been happening for a while, but it hadn’t occurred to me until today to note it: I’m now embarrassed of the way I looked when my hair was long.

Embarrassed is unfair, really. There were points where I really liked it; I like the way I look here, for example. But nowadays I use “I used to have long hair” as an “imagine that!” I liked it a lot my freshman year. But post-then… I dunno. I guess it’s a good thing, to think of it this way. Better than missing the long hair.

For those curious: my lip is curing. It’s itchy now more than anything.

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15 April 2010

“if we stopped to think or laugh, we’d never get nothing done”

Posted by admin @ 19:22 pm    categories: artmental states

(Note: The quote in the title is from “The Magic Tollbooth.”)

les 7 doigts de la main poster madrid

I’ve been in an odd place for the past couple of weeks. On the one hand, my life’s going quite well; I’ve been really enjoying myself here in Madrid and I’ve done some really exciting things (we’ll get to one of them in a moment). On the other hand, my life has become more unsure than I was hoping it would be, in the sense that my plans for next year fell through and I don’t know where I’ll be three months from now, nor what I’ll be doing.

This is by no means the worst that could be, but it’s harder when this sort of feeling follows a state of expectation. In any event, I’ve been having some very mixed feelings — really happy a lot of the time, but kind of disenchanted with the things that aren’t as pleasant. (I’ve become somewhat more frustrated with teaching when my students aren’t trying; I’m less into the work I’m doing at the university.) It’s frustrating to feel disconnected, yes? It’s not pleasant to transition between highs and lows. In many ways I’m much less stressed than I have been in past years, what with the whole not-being-in-school, so it’s a lot easier to deal with this. And yet.

Be that as it may.

Tonight, after talking about it for a while, I went and saw a circus group perform at the Price Theatre (well, El Teatro Circo Price), called Les 7 Doigts de la Main. You may’ve noticed something — that’s not Spanish. It’s French, which makes sense, seeing as how they’re a French Canadian group, affiliated with other French Canadian circus groups like Cirque du Soleil only in the sense that they were founded by people who had worked in that circus and in similar companies before. (You can read about them on French wikipedia, or at their very outdated website.) The act was called “Psy,” and was loosely themed about mental problems, in the sense that each actor (performer, I guess, is better) espoused a certain mental problem that was portrayed to a greater or lesser degree during the show. Here’s the website advertising the show, although it’ll probably disappear shortly. I encourage you to watch the video. The song is called “Frontier Psychiatrist.” I like it a lot. (And here’s a good review. It also has pictures.)

The show was really fun — somehow I keep end up seeing great French Canadian stuff here in Madrid. (Ref: the last time I talked about such a thing.) I went with Mateo and Ashley, who both seemed to enjoy it, and ran into Pier, Alexis, and Alexis’ friend Raquel. All of them liked it, too — Pier gave it five stars. It’s sort of a cross between the more traditional circus — juggling, tumbling, trapeze, handstands; the more ridiculous things of Cirque du Soleil (disclaimer: I saw a CdS show once, but I must’ve been like 11) — crazy leaps, a wheel-thing, a climb-able house set-piece, a set of stairs that flipped over, a see-saw catapult (apparently called a teeterboard); and a more acting, clowning sort of atmosphere. The show had been translated into Spanish, primarily, but there was also some in English, and some in French. (The only bad translation I could see was the fact that for whatever reason they had translated “sleep disorder” or “narcolepsy” as “insomnia.” Which it just wasn’t.) It also helped that almost all of the performers were young (really young), it just made it feel like, “Oh man, I could be doing this!” And boy would I love to give some of it a try — that’s part of the enjoyment for me with circuses and gymnastics. Not to say that I would want to try all of these things (I’ll pass on the swinging trapeze, I think), but some of them I’ve always wanted to try.

For example, I think corde lisse is really cool — it’s essentially a hanging rope from which you do acrobatics. (Here’s a video of someone doing something similar, but with silk.) Similarly, the [German] wheel (google tells me it’s sometimes known as Rhoenrad — it seems like the sort of thing Germans would invent) is amazing. Here’s a video from this production, although it was slightly different when I saw it. (I guess it’s always slightly different.) Some of the stuff I like is primarily based in strength and agility, but there’s an acrobatic grace to it also, when it’s done well, as it was here.

I guess my overall feeling about this circus was that the performers were good, but not mind-blowing in and of themselves. They weren’t doing anything shocking. But the show itself was really well-choreographed, and the scenes were fit together to tell a sort of story about mental illness, even if it never had any plot.

A description of the performers (in Spanish) is here. Some of them have websites, although it only seems to be the men, that I could find — the trapezist, the tumbler, the guy who did hand-stands on chinese poles, and the juggler. (I recommend checking out the first and the last of those websites, if you’re curious — they’re better websites, and have more to offer. Actually, all of them but the tumbler guy’s are good; his needs a bit of work. The trapeze one has his video from this show, which is really great. (Although Mateo didn’t like it.)

But yes, I think this makes me want to do something exciting, and new. Or just meet some acrobats.

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