First, an explanation: A few months ago, a friend of mine told me that he was beginning to write poetry, and asked me for any tips I might give him. I flubbed the response — essentially contradicting myself and being unhelpful. That’s okay; I’m sure he didn’t really need my advice. That said, I thought some on the subject, and figured I would try and do a better job. Am I qualified to give advice on writing poetry? I think so. Depends on what qualifications are necessary.
When I was in Bilbao, then, I spent some time sitting down and trying to think of some tips I should’ve given him. They are still contradictory; that’s part of the fun. I think, with this kind of thing, you need to pick and choose. Every so often, I come across an article — in a magazine or newspaper, usually — with tips for writers, from well-known authors. Half of them are always complete shit. Some of them are actually pretty good. Sometimes they’re ridiculous; sometimes they’re way too detailed. And sometimes one of them will ring true. So maybe I’ll put down something along those lines, here. None of these are new; they’re just the pieces of advice that have stuck to me. They’re not particularly in order. Some of them are more exercises than advice; some are more encouragement than anything else.
- Read books of poetry by a single author, and then try to emulate the style — or try to write nothing like it at all.
- Play with structure. Write something following a strict form, and then write something formless. See what fits. There are many good forms to play with.
- Don’t ask anyone to read your poetry until you feel like it. When you do, take it to someone who’s actually going to critique it, and then take their criticism with a thick skin. Sycophants might make you feel good, but they’re not actually going to help all too much.
- You don’t need to finish every poem you begin. It’s okay to throw something away.
- Be daring.
- Re-use something that didn’t work.
- Don’t write poetry when you’re drunk.
- Don’t force a rhyme. Don’t use feminine rhyme (rhyme using more than one syllable) unless you’re a rapper.
- It is, however, okay to rhyme. But realize that it doesn’t always sound good — so be aware of when your poetry is being shaped by a need to rhyme. If your couplet is being formed based more on the rhyme than on the thread of thought, scrap it. Rhymes should feel natural.
- Rewrite. If you feel like it.
- It is rarely enjoyable to read a poem written entirely in metaphorical language.
- Describe in actions, not just in adjectives.
- Avoid flowery language or language that feels like nothing new. Phrases like “silent scream,” “void,” and breathless descriptions of darkness are generally to be avoided. A poem about sadness or inner confusion needs to be really good for anyone other than you to want to read it.
- Show action and emotion — not just description.
- Pay close attention to line breaks.
- Learn how to read poetry well. Hint: You shouldn’t pause at the end of a line if there’s no punctuation, unless there’s a rhyme or something necessary. Spoken poetry is not the same as read-on-the-page poetry, and you shouldn’t try to make it so.
- Listen to (recordings of) poets reading their work. Read along.
- Learn how to end a poem. It’s not always easy.
Perhaps these thoughts are more useful to me than to anyone else. But I am curious: what advice would you give to someone writing poetry? It would be fun to hear some thoughts other than mine.




ne: So I’ve now been working for two weeks, no? I’m starting to learn students’ names; I’m beginning to make sense of where things are. I don’t know if I can say that I’m getting the hang of things, because it’s half-true and half not-true-at-all. I see students once a week — for the most part — which means I’ve only had two classes with most of them. It’s interesting how much variety I end up with, as a result of all this — variety that’s somewhat nice, but also somewhat frustrating, since it makes it hard to play. If I had, like many teachers do in the US, 5 classes a day of the same subject, I could plan things out with them — but instead I have essentially 18 classes a week, all different. A few use the same book, but they need to go at different speeds. 


